Research Interests

My research interests lie at the intersection of Theatre, Performance, and Identity Politics, with a particular focus on exploring the complex dynamics of plurality and representation. I investigate how performance practices can challenge, subvert, and reimagine dominant narratives of identity, culture, and power. My work examines the ways in which theatre and performance can serve as sites of resistance, resilience, and transformation, particularly in contexts of social and political upheaval.

Research Areas

- Theatre and performance as sites of identity formation and negotiation
- Politics of representation and plurality in performance
- Performance as a tool for social change and activism
- Intercultural and transnational performance practices
- Postcolonial and decolonial perspectives on theatre and performance

Practice Interests

As a practitioner, I am committed to creating performances that challenge dominant narratives and explore new possibilities for representation and expression. My practice is informed by my research interests and seeks to engage with diverse communities, foster dialogue, and promote social change.

Areas of Practice Research Expertise

- Climate Justice and Theatre Education in Bangladesh
- provisions of Disability and Arts in South Asia
- Inclusive Theatre making and accessibility in performance
- Community-based theatre and performance practices
- Theatre for Development (TfD) and social change

Working with Me

I invite students, researchers, and artists who are passionate about exploring the intersections of Theatre, Performance, and Identity Politics to engage with me academically and creatively. Whether you're looking to develop a research project, collaborate on a performance, or simply discuss ideas, I'm here to support and encourage your work.

If you are interested in exploring topics such as climate justice, disability arts, inclusive theatre making, or community-based performance, I'd love to work with you. I'm committed to fostering a collaborative and inclusive environment that encourages critical thinking, creativity, and innovation.

Current Projects

- Exploring the role of theatre in promoting social justice and human rights in Bangladesh
- Investigating the politics of representation in contemporary Group Theatre in Bangladesh
- Developing new performance practices that challenge dominant narratives of identity and culture
- Collaborating with disability arts organisations to promote accessibility and inclusion in performance

Let us work together to push the boundaries of what theatre and performance can do, and to create new possibilities for representation, expression, and social change.

‘Nationalism and the Possibilities for Plural Identities in Bangladeshi Performance’ at Practice Research Forum seminar at Goldsmiths, University of London (2021).

'Normal Wasn't Working' - a discussion about theatre during the global pandemic by Sudip Chakroborthy, Tony Cealy, and Alistair Campbell as part of ‘A Season of Bangla Drama’ at London Borough of Tower Hamlets (2020).

‘Conversation Circle’ at the ‘Being Human Festival’ at Goldsmiths, led by the SOAS, in partnership with the AHRC and the British Academy (2020).

‘Women in the Traditional Theatre of Bangladesh’ at the National Academy of Fine and Performing Arts Bangladesh (2010).

‘Adhipatyabadee Mohamareer Biporite Natya’ (‘Theatre Against Epidemic’) at Desh Natok online seminar (2020).

‘Memory and Identity: How Memories are Shaping in British-Bangladeshi Identities’ at Queen Mary, University of London (2018).

‘In Search of ‘Philosophy’ and ‘Identity’ in Contemporary Theatre: Global and Bangladesh Experience’ at Tehran University (2018).

‘Traditional Games of Bangladesh: Achievements and Challenges’ at the 2nd expert meeting and youth dialogue at UNESCO HQ, Paris (2018).

‘Engaging with Dissonance in Performance Research’ at TaPRA-SCUDD at Oxford University (2019).